New York Magazine Cans Long Time Music Critic
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New York Magazine Cans Long Time Music Critic
From The New York Times:
A ‘New York’ Run Ends
New York magazine’s longtime classical music critic, Peter G. Davis, will be leaving the publication. Mr. Davis, who had been at New York for 26 years, said yesterday he was asked to sign an “agreement of separation” because the magazine decided it no longer needed a full-time classical music critic. “It’s euphemistic for being fired,” he said. A spokeswoman for the magazine, Serena Torrey, said she could not comment on the terms of his departure or whether he would be replaced. “We do plan to continue robust classical music coverage and criticism,” she said. DANIEL J. WAKIN
A ‘New York’ Run Ends
New York magazine’s longtime classical music critic, Peter G. Davis, will be leaving the publication. Mr. Davis, who had been at New York for 26 years, said yesterday he was asked to sign an “agreement of separation” because the magazine decided it no longer needed a full-time classical music critic. “It’s euphemistic for being fired,” he said. A spokeswoman for the magazine, Serena Torrey, said she could not comment on the terms of his departure or whether he would be replaced. “We do plan to continue robust classical music coverage and criticism,” she said. DANIEL J. WAKIN

"Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
Albert Einstein
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I'm surprised at this. Peter G. Davis knows his stuff and is a fine writer. All these changes taking place in the fabulous world of classical music. Being optimistic (for the most part) history repeats itself but I doubt it will ever be as good as the days of reviewers such as Harold C. Schonberg, Virgil Thomson and several others.
Lance G. Hill
Editor-in-Chief
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When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]

Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]

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Well, of course there isn't much going on musically in New York, so who needs a full-time music critic?? (!!!)
Seriously, one of the things that most annoys me about the NY Times Sunday Arts section is that it used to list virtually every concert taking place in New York, and then they eliminated this page. More demoting of the importance of classical music!
Seriously, one of the things that most annoys me about the NY Times Sunday Arts section is that it used to list virtually every concert taking place in New York, and then they eliminated this page. More demoting of the importance of classical music!
Donald Isler
This is the third newspaper or magazine in the last few weeks to get rid of their established classical music reviewers, following Atlanta and Minneapolis. There's clearly a spreading belief among publishers and editors that classical music doesn't matter now to their readers and communities. Which domino will fall next?
John Francis
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I thought he was dreadful. But since he was dreadful for 26 years, must have been something besides his music criticism that precipitated the downsizing. New York Magazine's music criticism hasn't been worth a tinker's damn since Alan Rich left, which caused me to discontinue my subscription.Lance wrote:Peter G. Davis knows his stuff and is a fine writer.
Corlyss
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Contessa d'EM, a carbon-based life form
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The outre San Francisco Chronicle is canning a quarter of its whole staff...one dares to hope that looney Joshua Kosman will be in the mix somewhere...
Et par la nonce, it's time Allan Ulrich found an honest job...
Same for Stephanie von Buchau - wonder if she's still alive - never was in the past, probably isn't now...
Et par la nonce, it's time Allan Ulrich found an honest job...
Same for Stephanie von Buchau - wonder if she's still alive - never was in the past, probably isn't now...
If there is one thing that steams New York musicians this is it. Of course that's why I started the site. New York magazine goes one step closer to having its title revoked. Or changed to New York Magazine For Target Advertising.Donald Isler wrote:Seriously, one of the things that most annoys me about the NY Times Sunday Arts section is that it used to list virtually every concert taking place in New York, and then they eliminated this page. More demoting of the importance of classical music!
I try to make the case that particularly small and mid-sized groups should no longer count on the media. As news becomes entertainment, serious entertainment is no longer news.
Reviews are great, after the fact, but where is the energy to inform?
Gregg
http://www.classicaldomain.org/
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You are absolutely correct, Gregg. We need more people like Harris Goldsmith, a writer from whom I learned more about playing and listening to the piano than anyone else simply through his writings, especially in High-Fidelity magazine. It helped that he was a performing pianist himself. Still, Goldsmith had the ability to criticize with authority but also informed the listener. Then, too, I always especially admired Virgil Thomson's reviews, which quickly came to the point and also informed.Gregg wrote: [snipped]
Reviews are great, after the fact, but where is the energy to inform?
Lance G. Hill
Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]

Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]

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What's happened to most of the classical review mags? They would rather cover more releases superficially than cover a few with depth. I used to study them all, but now they aren't worth the time.Lance wrote:You are absolutely correct, Gregg. We need more people like Harris Goldsmith, a writer from whom I learned more about playing and listening to the piano than anyone else simply through his writings, especially in High-Fidelity magazine. It helped that he was a performing pianist himself. Still, Goldsmith had the ability to criticize with authority but also informed the listener. Then, too, I always especially admired Virgil Thomson's reviews, which quickly came to the point and also informed.Gregg wrote: [snipped]
Reviews are great, after the fact, but where is the energy to inform?
Corlyss
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Contessa d'EM, a carbon-based life form
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Had to make space for the full-page ads for Rent, Don! :-)Donald Isler wrote:Seriously, one of the things that most annoys me about the NY Times Sunday Arts section is that it used to list virtually every concert taking place in New York, and then they eliminated this page. More demoting of the importance of classical music!
Cheers,
~Karl
Karl Henning, PhD
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
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I applaud this, Auntie!Auntie Lynn wrote:The outre San Francisco Chronicle is canning a quarter of its whole staff...one dares to hope that looney Joshua Kosman will be in the mix somewhere...
Karl Henning, PhD
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
That is the question. I say this a lot when I am talking about my point of view, it's obvious but bear with me.Corlyss_D wrote: What's happened to most of the classical review mags?
My farther, for decades, has subscribed to Smithsonian and Natural History magazines. Every year they have civil war covers and monkey or panda bear covers. People never tire of reading about the civil war or monkey and panda bear stories.
Frankly, I think the same can be said about Beethoven - given that the right people are writing the articles. The tragedy of our new media society is that people are not given enough credit for being stimulated by ideas, so that conceptual content is submerged by personality content. The diva weight-loss issue...etc....
The reason I use those magazines as an example is because they do a great job at popularizing some significant events and ideas. That's what's missing from the art-music landscape. The media grossly underestimates the intellectual level of the classical music audience hoping that their populist leveling will bring in more revenue. The visual art magazines have resisted this to an extent, but they have become obsessed with money and fashion masquerading as culture.
The point being that professional accessible writing is a dying breed. I am trying to get funding to start a "Classical music writing initiative" for my site. Naturally it will provide me with content, but it's at least a stab at orienting classical music writing back to substance over gloss.
In any case I need to find some one connected to academia to help with the choices and to ground the program in respectability, any ideas would be appreciated.
Gregg
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They must know what sells advertising (content+numbers). I don't think they give a damn about the intellectual level of even their readers.Gregg wrote:The media grossly underestimates the intellectual level of the classical music audience hoping that their populist leveling will bring in more revenue. The visual art magazines have resisted this to an extent, but they have become obsessed with money and fashion masquerading as culture.
Well, good on ya. I'll hew to my Ernest Newman.The point being that professional accessible writing is a dying breed. I am trying to get funding to start a "Classical music writing initiative" for my site. Naturally it will provide me with content, but it's at least a stab at orienting classical music writing back to substance over gloss.
Why academia? Why not the professional musician track? You might try a music blogger with credentials, like Greg Sandow.In any case I need to find some one connected to academia to help with the choices and to ground the program in respectability, any ideas would be appreciated.
Last edited by Corlyss_D on Thu Jun 07, 2007 1:05 am, edited 1 time in total.
Corlyss
Contessa d'EM, a carbon-based life form
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