Composer Quiz

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Ralph
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Composer Quiz

Post by Ralph » Sun Nov 27, 2005 4:07 pm

We haven't had a quiz here in quite a while so here goes.

What composer won accolades for his authorship of a splendid manual on employing grenades in combat?
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Re: Composer Quiz

Post by jbuck919 » Sun Nov 27, 2005 4:19 pm

Ralph wrote:We haven't had a quiz here in quite a while so here goes.

What composer won accolades for his authorship of a splendid manual on employing grenades in combat?
Arnold Schoenberg, and you should be ashamed of yourself.

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

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Re: Composer Quiz

Post by Ralph » Sun Nov 27, 2005 6:43 pm

jbuck919 wrote:
Ralph wrote:We haven't had a quiz here in quite a while so here goes.

What composer won accolades for his authorship of a splendid manual on employing grenades in combat?
Arnold Schoenberg, and you should be ashamed of yourself.
*****

You're wrong and you SHOULDN'T be ashamed of yourself. :)
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Post by Wanderer » Sun Nov 27, 2005 6:52 pm

Shostakovich? :lol:

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Post by jserraglio » Sun Nov 27, 2005 8:31 pm

George Dyson? He wrote some good music too--just happened to be listening today to his Violin Concerto, in advance of receiving his Symphony in G viamailorder.
Last edited by jserraglio on Sun Nov 27, 2005 8:44 pm, edited 1 time in total.

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Post by Gary » Sun Nov 27, 2005 8:42 pm

Alban Berg? I already feel ashamed. :)
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Post by val » Mon Nov 28, 2005 4:23 am

Cesar Cui?

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Post by Gary » Mon Nov 28, 2005 4:31 am

When was the grenade invented?
"Your idea of a donut-shaped universe intrigues me, Homer; I may have to steal it."

--Stephen Hawking makes guest appearance on The Simpsons

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Post by matti » Mon Nov 28, 2005 5:52 am

Borodin?

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Re: Composer Quiz

Post by MaestroDJS » Mon Nov 28, 2005 7:03 am

Ralph wrote:What composer won accolades for his authorship of a splendid manual on employing grenades in combat?
Of course! It was Claude Debussy, who immortalized one of his evening exploits in his piano piece La Soirée dans Grenade. Debussy later became a pacifist and repudiated his war service, so he renamed this piece La Soirée sans Grenade, but it is still most commonly known by its original name.

Emmanuel Chabrier encrypted a reference to his keen fascination with high explosives in his orchestral rhapsody España. This was later decoded by Al Hoffman and Dick Manning into an English text in the song Hot Diggity, which Perry Como took to #1 on the Billboard charts in 1956:

"Oh, hot diggity, dog ziggity, boom what you do to me"
jserraglio wrote:George Dyson? He wrote some good music too--just happened to be listening today to his Violin Concerto, in advance of receiving his Symphony in G viamailorder.
But seriously, folks, it was indeed George Dyson (1883-1964), whose Manual of Grenade-Fighting was officially adopted by the British War Office during World War I.

Dave

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Post by Ralph » Mon Nov 28, 2005 8:09 am

jserraglio wrote:George Dyson? He wrote some good music too--just happened to be listening today to his Violin Concerto, in advance of receiving his Symphony in G viamailorder.
*****

You win!

Dyson wrote the manual in World War I and subsequently saw action. His experiences profoundly affected him.

Send me your address and I'll ship your prize, a vintage but still live WWII German potato masher grenade, to you.

Are you listening to the recent NAXOS Dyson disc? It's very good.
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Post by jserraglio » Mon Nov 28, 2005 11:16 am

Ralph wrote:Are you listening to the recent NAXOS Dyson disc? It's very good.
No, I ordered the Chandos Symphony from Berkshire but will probably wind up getting the Naxos sometime if I like the other

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Post by jbuck919 » Mon Nov 28, 2005 4:39 pm

Oh, who the hell has ever heard of George Dyson? Jeez Louise. :?

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
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Post by Ralph » Mon Nov 28, 2005 4:57 pm

jbuck919 wrote:Oh, who the hell has ever heard of George Dyson? Jeez Louise. :?
*****

Those of us who listen widely. :)
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Post by Richard » Mon Nov 28, 2005 5:39 pm

Another quiz: What composer was an oboist, took part in the "Battle of Hastenbeck (part of the Seven Year's War), played in his regimental band, and was a conductor at Bath? Hint: He was not known, primarily, as a composer.

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Post by jbuck919 » Mon Nov 28, 2005 5:42 pm

Richard wrote:Another quiz: What composer was an oboist, took part in the "Battle of Hastenbeck (part of the Seven Year's War), played in his regimental band, and was a conductor at Bath? Hint: He was not known, primarily, as a composer.
I don't know, Rousseau? I'm an obvious loser on this thread.

George Dyson, Ralph? I at least have heard of most of these folks. Even Duddersdorf or whatever he is called.

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

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Post by BWV 1080 » Mon Nov 28, 2005 5:59 pm

Don't know either, but does anyone beside JBuck know which maritally challenged composer had a canonized saint for an uncle?

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Post by Richard » Mon Nov 28, 2005 6:16 pm

BWV 1080 wrote:Don't know either, but does anyone beside JBuck know which maritally challenged composer had a canonized saint for an uncle?
Emperor Nero?

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Post by jbuck919 » Mon Nov 28, 2005 6:18 pm

BWV 1080 wrote:Don't know either, but does anyone beside JBuck know which maritally challenged composer had a canonized saint for an uncle?
Now what makes you think I know? Was it Gesualdo? Murdering your wife does rather qualify as being maritally challenged. But I do not know who the saint was. Carlo Borromeo?
Last edited by jbuck919 on Mon Nov 28, 2005 6:21 pm, edited 1 time in total.

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

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Post by BWV 1080 » Mon Nov 28, 2005 6:19 pm

Richard wrote:
BWV 1080 wrote:Don't know either, but does anyone beside JBuck know which maritally challenged composer had a canonized saint for an uncle?
Emperor Nero?
Nope, (and I don't quite know how Caligula would have made it through the canonization process) I have CD's of this composer and published scores.

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Post by BWV 1080 » Mon Nov 28, 2005 6:21 pm

jbuck919 wrote:
BWV 1080 wrote:Don't know either, but does anyone beside JBuck know which maritally challenged composer had a canonized saint for an uncle?
Now what makes you think I know? Was it Gesualdo? Murdering your wife does rather qualify as being maritally challenged. But I do not know who the saint was. Carlo Borroomeo?
Yes, I recall this coming up on another thread you participated in

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http://www.karadar.com/Jpg/Gesualdo_wit ... rromeo.jpg

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Post by jbuck919 » Mon Nov 28, 2005 7:17 pm

Steve, I do not remember this coming up at all, and apologize if I spoiled your fun. I'm old enough now to have senior moments.

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

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Post by jserraglio » Mon Nov 28, 2005 7:36 pm

. . . regarding Sir George Dyson, here is J. Scott Morrison's amazon review of the recent Naxos release of the 1937 Dyson Symphony in G plus 2 other works. I have these works on the Chandos label but learned a lot from Mr Morrison's review of the Naxos issue.

- - - - - - -
George Dyson (1883-1964), a composer whom I had strangely enough previously known only as the father of the great theoretical physicist Freeman Dyson, was a Yorkshireman who early evinced intense musical talent and who arrived at the Royal College of Music at age 17 and went on to become its Director in 1937. Until this CD I had never heard a note of his music, although I had known of his most-played work the choral 'The Canterbury Pilgrims' from 1930. His son Freeman writes in his autobiography 'Disturbing the Universe' with great love and respect for his father and mentions the acclaim he received for this work. In 1943, during the darkest days of World War II, the now-Sir George Dyson wrote a concert overture, 'At the Tabard Inn,' based on elements of 'Pilgrims.' It is the first band on this CD and is an altogether light-hearted, charming, tuneful and masterful overture in the same vein as Wagner's 'Meistersinger' prelude, albeit unmistakably English in its materials. I cannot imagine why in a lifetime of concert-going I've never encountered this delightful work. It definitely deserves an occasional airing.

Next comes the 'Concerto da Chiesa,' a three-movement work from 1949 based on the concerto da chiesa of baroque times. Hymn tunes, some familiar ('O come, o come, Emmanuel') and some not, are woven throughout the piece. Dyson wrote about it self-effacingly at the time he was working on it, calling the piece 'a churchy one.' It features a solo string quartet and a ripieno orchestral group rather like that of Vaughan Williams's 'Tallis Fantasia' and using some of the same structural gestures. The first movement is intense and almost tortured, and the solo quartet's interjections are pleading in their urgency. The second movement, a set of variations based on 'Corde natus,' is all grace and light. The third movement is lively initially and features some extrovert contributions by the soloists, but it eventuates in an anguished return to the 'Veni Emmanuel' theme of the first movement which ultimately becomes serene, even transfigured. One imagines the Concerto to be in some way a response to the aftermath of the War. A lovely, lovely work.

Finally there is Dyson's 'Symphony in G Major' from 1937. In four movements, it begins with some clear influences from Sibelius -- a current then rampant in English orchestral music (and we're all the better for that) -- but in a clearly English voice, with modal writing and frequent use of sextuple rhythms. The first movement, a sonata-allegro marked Energico, begins with a heiratic, vaulting theme that sets the tone for the movement. It is followed by a somber, lyrical but sometimes ghostly Andante that makes use of a slowly treading gait reminiscent, in a way, of Elgar. The Scherzo reminds one of the world of the 'Tabard Inn' (anticipating that work by six years) and has a courtly Renaissance feel in its use of modal themes and dance rhythms in 6/8 time. It is in several sections alternating fast and slow tempi, and one of the slow sections is a beautiful pensive passage with a memorable theme derived from the symphony's opening moments. The Finale opens with somber brass chords and a string chorale and goes on to recapitulate much of the earlier music in the piece. Like the scherzo, it alternates fast and slow passages and culminates in a stately, ceremonial peroration that brings the 42-minute symphony to a satisfying completion. This work is surely the equal of Moeran's G Minor Symphony, written at the same time, and although it lacks the modernity of the malice of Walton's nearly contemporaneous First Symphony, that was never its intent. A fine beautifully crafted work here played with palpable advocacy by the Bournemouth Symphony Orchestra under David Lloyd-Jones. What we don't owe the Bournemouth for its many fine recordings of British music over the years!

I am happy to give this strong entry an unqualified recommendation.

Scott Morrison

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Post by Richard » Tue Nov 29, 2005 3:21 pm

Richard wrote:Another quiz: What composer was an oboist, took part in the "Battle of Hastenbeck (part of the Seven Year's War), played in his regimental band, and was a conductor at Bath? Hint: He was not known, primarily, as a composer.
The answer: William Herschel (1738-1822), famous astronomer and the discoverer of Uranus (pronounced with the emphasis on the "Ur", not the "a"). Herschel was probably the most famous atronomer of the 18th century. He grew up in a musical household, played both the oboe and organ, and started off in a musical career until he later became interested in astronomy.

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Post by 12tone » Tue Nov 29, 2005 6:51 pm

Ralph wrote:
jserraglio wrote:George Dyson? He wrote some good music too--just happened to be listening today to his Violin Concerto, in advance of receiving his Symphony in G viamailorder.
*****

You win!

Dyson wrote the manual in World War I and subsequently saw action. His experiences profoundly affected him.

Send me your address and I'll ship your prize, a vintage but still live WWII German potato masher grenade, to you.

Are you listening to the recent NAXOS Dyson disc? It's very good.
I don't get it. What manual? You mean a composer wrote a manual on how to use a gernade? I never knew gernades had manuals... I'm confused.

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Post by Ralph » Tue Nov 29, 2005 7:41 pm

There's a manual for every single piece of ordnance. Obviously you don't take it with you into combat but the hope is that one learns from the manual (or instructors properly use it to train soldiers).

And Dyson wrote a very good manual on employing hand grenades.
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Post by jbuck919 » Wed Nov 30, 2005 3:43 pm

Ralph wrote:There's a manual for every single piece of ordnance. Obviously you don't take it with you into combat but the hope is that one learns from the manual (or instructors properly use it to train soldiers).

And Dyson wrote a very good manual on employing hand grenades.
Yes, I believe he's the one who mentioned that after you pull the pin you should throw the grenade as far away from you as possible and at the enemy.

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

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Post by Muriel » Wed Nov 30, 2005 8:18 pm

Richard wrote:
Richard wrote:Another quiz: What composer was an oboist, took part in the "Battle of Hastenbeck (part of the Seven Year's War), played in his regimental band, and was a conductor at Bath? Hint: He was not known, primarily, as a composer.
The answer: William Herschel (1738-1822), famous astronomer and the discoverer of Uranus (pronounced with the emphasis on the "Ur", not the "a"). Herschel was probably the most famous atronomer of the 18th century. He grew up in a musical household, played both the oboe and organ, and started off in a musical career until he later became interested in astronomy.

Herschel's sister was a sought after Handel singer in her day. A contralto who was also an amateur astronomer.

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Post by Gary » Wed Nov 30, 2005 10:16 pm

Muriel wrote:
Richard wrote:
Richard wrote:Another quiz: What composer was an oboist, took part in the "Battle of Hastenbeck (part of the Seven Year's War), played in his regimental band, and was a conductor at Bath? Hint: He was not known, primarily, as a composer.
The answer: William Herschel (1738-1822), famous astronomer and the discoverer of Uranus (pronounced with the emphasis on the "Ur", not the "a"). Herschel was probably the most famous atronomer of the 18th century. He grew up in a musical household, played both the oboe and organ, and started off in a musical career until he later became interested in astronomy.

Herschel's sister was a sought after Handel singer in her day. A contralto who was also an amateur astronomer.

Below is from the Feb. 1986 issue of Scientific American magazine:

William Herschel and the Making of Modern Astronomy

Yet astronomy was not Herschel's primary career. He was trained as a musician, becoming sufficiently accomplished on the oboe to join a regimental band in his native city, Hanover. In 1757, the year Herschel turned 19, the French occupied Hanover and he fled to England. He maintained himself in his new homeland first by copying music and then as a performer, conductor and composer. (He also anglicized his given name, Friedrich Wilhelm, to William.) In 1766 he was appointed organist at the fashionable Octagon Chapel in the city of Bath. It was a secure position, and although Herschel had a variety of musical duties, he was at last able to indulge his awakening intellectual interest.



Michael Hoskin
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Post by Ralph » Wed Nov 30, 2005 10:46 pm

jbuck919 wrote:
Ralph wrote:There's a manual for every single piece of ordnance. Obviously you don't take it with you into combat but the hope is that one learns from the manual (or instructors properly use it to train soldiers).

And Dyson wrote a very good manual on employing hand grenades.
Yes, I believe he's the one who mentioned that after you pull the pin you should throw the grenade as far away from you as possible and at the enemy.
*****

That's one not very original way of using a hand grenade.
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"Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."

Albert Einstein

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Post by jbuck919 » Fri Dec 02, 2005 4:46 pm

New Quiz!

What composer killed a cow?

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

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Post by val » Sat Dec 03, 2005 3:11 am

What composer killed a cow?
The british virginal composer John Bull? :)

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Post by jbuck919 » Sat Dec 03, 2005 7:05 am

This quiz came up on the other board a long time ago. And I was the one who got it, through a Google search believe it or not. I can't for the life of me remember the search strategy, but it is not something I had from scholarly knowledge.

There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach

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