What's your favorite Beethoven symphony?
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What's your favorite Beethoven symphony?
Mine would be the ninth, but the fifth isn't far behind.
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Well, I cast mine for the Beethoven 7th Symphony, but in truth, it could have equally been the 3rd, 6th, or 9th, and further truth, I couldn't be without any of them though I tend not to listen to the 5th because it has been overplayed and recorded and commercialized beyond belief. (Poor Beethoven would be a millionaire today if he received royalties on the use of the first movement alone!)
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Ah, the joy of being of the younger generation! I can enjoy the fifth because it hasn't been beaten into my head far too many times.Lance wrote:Well, I cast mine for the Beethoven 7th Symphony, but in truth, it could have equally been the 3rd, 6th, or 9th, and further truth, I couldn't be without any of them though I tend not to listen to the 5th because it has been overplayed and recorded and commercialized beyond belief. (Poor Beethoven would be a millionaire today if he received royalties on the use of the first movement alone!)
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Do those who select Beethoven's No. 9: is it the entire symphony you listen to, or generally the final (choral) movement? I ask because people who enjoy Saint-Saëns Third (Organ) Symphony usually only play the incredible final movement where the organ comes to life.
Lance G. Hill
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When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
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When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
I selected the Ninth. I enjoy the whole thing. Of course, the Choral movement is the most exciting, but the other movements are all fantastic too.Lance wrote:Do those who select Beethoven's No. 9: is it the entire symphony you listen to, or generally the final (choral) movement? I ask because people who enjoy Saint-Saëns Third (Organ) Symphony usually only play the incredible final movement where the organ comes to life.
To give you an idea of just how much I like this symphony, I went to hear the Louisiana Philharmonic perform it two nights in a row last week! Twas superb!!!
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Actually, Lance, I have met more people who find the last movement the spoiler than the other way around. It has features that are quite unique, were not attempted by the next great symphonists, notably Brahms, and in my opinion have little to do with the choral movements in Mahler.Lance wrote:Do those who select Beethoven's No. 9: is it the entire symphony you listen to, or generally the final (choral) movement? I ask because people who enjoy Saint-Saëns Third (Organ) Symphony usually only play the incredible final movement where the organ comes to life.
I think I can state without fear of successful contradiction the rather unoriginal opinion that the Ninth Symphony of Beethoven is the greatest orchestral work of all time. Sometimes we wish to evade these inevitabilities because we do not want to accept that art has a time, and a place, and a context, and a climax. Americans in particular are stubborn about these things. But to paraphrase as great a musician as Brahms, to have art at the level of the Ninth Symphony as one's daily bread, no, that is no longer allowed to any composer. We should love the Ninth and humbly treasure it for what it is rather than continue to bicker because we foolishly assume we can reinvent the wheel of greatness in music.
And I love it from the first absolutely thrilling "incomplete" chord down to the last note.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
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Need mood elevation? Try Syms #1 or 2
Need a bit of depression? Try Sym #3
Need some aerobic exercise? Try Sym #4
Need a call to arms, leading to victory ? - Try Sym #5
Need a nap? Try Sym #6
Need a pick-me-up if you suffer from geriatric blues? Try Sym #7
Need a relaxer before the big event? Try Sym #8
Need to feel " Top of the world Ma"- Try Sym #9
Each symphony can be my favorite depending on my needs at the time of listening. There is no "one-size fits all".
Need a bit of depression? Try Sym #3
Need some aerobic exercise? Try Sym #4
Need a call to arms, leading to victory ? - Try Sym #5
Need a nap? Try Sym #6
Need a pick-me-up if you suffer from geriatric blues? Try Sym #7
Need a relaxer before the big event? Try Sym #8
Need to feel " Top of the world Ma"- Try Sym #9
Each symphony can be my favorite depending on my needs at the time of listening. There is no "one-size fits all".
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Here is the same reply I gave in GMG to this exact same question.
Why do we have to choose? I am thankful we have all of them.
Actually, the 7th was the first one that I really learned to love. My fave here is the Szell in all but the second movement, but, unfortunately, the 2nd movement of the 7th is probably the worst performance of a single movement in the whole Szell cycle. Solti would be my overall favorite, far superior to Szell in the 2nd movement and almost as good in the others. The Mravinsky, Leningrad Sym performance is excellent as well, and the Zander represents, as all his performances of Beethoven do, a radical rethinking of traditional performance practice which is really quite effective, but takes some getting used to.
The 9th is a pinnacle of western music. Until Mendelssohn came along, it was the only choral symphony around, and it was not until Mahler's Resurrection that we got something which even came close to it in grandeur, beauty, and importance. My fave, a radical departure from traditional performance practice, is the Zander recording with the Boston Phil. Among more traditional recordings, Tennstedt would be tops, with Szell superb in the first two movements and Toscanini in the last.
OTOH, the 6th has a claim, too. It has a relaxed, un-self-conscious geniality about it that shows Beethoven really seeming to have fun in a way you find in none of the other symphonies except, perhaps, the 8th, when Beethoven has fun with a delightful self-parody. There are two basic approaches to the 8th--one, exemplified by Solti, bloats it out and puffs it up with overly grandiose playing by the orchestra for humorous effect, and the other, seen in Szell and Casals, for example, is of a smallish emsemble straining at gnats. In the 6th, I recommend the Toscanini for a lyrical approach, Solti for a dramatic one, Szell for a middle of the road approach, and Monteux for his relaxed geniality.
The 5th seems to me to be the most complex of the symphonies in terms of its development, with all the movements well related to one another, culminating in a finale that is at once rigorously argued, that builds to an emotional climax unlike anything after it until Mahler and Sibelius, and yet, its fun, too, even a little campy. Several favorites here--C Kleiber for sheer frenetic energy, Reiner for a more relaxed approach. Karajan 1963 is good, too, but has a soft edged string tone I find inappropriate.
One of the most exciting transitions in all music is the one from the quiet but portentous Adagio to the Allegro vivace of the 1st movement of the 4th Sym, especially dramatic, it seems to me, in Klemperer's hands. My other favorite performance, which emphasizes the work's melody and charm rather than pulse and structure, is the Monteux version.
Then, of course, there is the Eroica. Some have said that it represents the greatest single leap forward in a composer's development in musical history. I disagree, not because I like the Eroica less than most; I love it. Its because I think the first two symphonies are far better works than they are generally recognized to be. Solti is the conductor to persuade you of the truth of that statement; my favorite Eroica is on a CD I bought for a buck from a remainder bin, by Joseph Keilberth. The Karajan 1963 is very good, too, as is Klemperer, slowish, but all the more majesterial for that.
So, tell me again. Why do I have to choose?
Why do we have to choose? I am thankful we have all of them.
Actually, the 7th was the first one that I really learned to love. My fave here is the Szell in all but the second movement, but, unfortunately, the 2nd movement of the 7th is probably the worst performance of a single movement in the whole Szell cycle. Solti would be my overall favorite, far superior to Szell in the 2nd movement and almost as good in the others. The Mravinsky, Leningrad Sym performance is excellent as well, and the Zander represents, as all his performances of Beethoven do, a radical rethinking of traditional performance practice which is really quite effective, but takes some getting used to.
The 9th is a pinnacle of western music. Until Mendelssohn came along, it was the only choral symphony around, and it was not until Mahler's Resurrection that we got something which even came close to it in grandeur, beauty, and importance. My fave, a radical departure from traditional performance practice, is the Zander recording with the Boston Phil. Among more traditional recordings, Tennstedt would be tops, with Szell superb in the first two movements and Toscanini in the last.
OTOH, the 6th has a claim, too. It has a relaxed, un-self-conscious geniality about it that shows Beethoven really seeming to have fun in a way you find in none of the other symphonies except, perhaps, the 8th, when Beethoven has fun with a delightful self-parody. There are two basic approaches to the 8th--one, exemplified by Solti, bloats it out and puffs it up with overly grandiose playing by the orchestra for humorous effect, and the other, seen in Szell and Casals, for example, is of a smallish emsemble straining at gnats. In the 6th, I recommend the Toscanini for a lyrical approach, Solti for a dramatic one, Szell for a middle of the road approach, and Monteux for his relaxed geniality.
The 5th seems to me to be the most complex of the symphonies in terms of its development, with all the movements well related to one another, culminating in a finale that is at once rigorously argued, that builds to an emotional climax unlike anything after it until Mahler and Sibelius, and yet, its fun, too, even a little campy. Several favorites here--C Kleiber for sheer frenetic energy, Reiner for a more relaxed approach. Karajan 1963 is good, too, but has a soft edged string tone I find inappropriate.
One of the most exciting transitions in all music is the one from the quiet but portentous Adagio to the Allegro vivace of the 1st movement of the 4th Sym, especially dramatic, it seems to me, in Klemperer's hands. My other favorite performance, which emphasizes the work's melody and charm rather than pulse and structure, is the Monteux version.
Then, of course, there is the Eroica. Some have said that it represents the greatest single leap forward in a composer's development in musical history. I disagree, not because I like the Eroica less than most; I love it. Its because I think the first two symphonies are far better works than they are generally recognized to be. Solti is the conductor to persuade you of the truth of that statement; my favorite Eroica is on a CD I bought for a buck from a remainder bin, by Joseph Keilberth. The Karajan 1963 is very good, too, as is Klemperer, slowish, but all the more majesterial for that.
So, tell me again. Why do I have to choose?
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Re: the Saint-Saens - who could possibly listen that way? The slow section is so exquisite it is almost unforgettable.Lance wrote:Do those who select Beethoven's No. 9: is it the entire symphony you listen to, or generally the final (choral) movement? I ask because people who enjoy Saint-Saëns Third (Organ) Symphony usually only play the incredible final movement where the organ comes to life.
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Absolutely.Febnyc wrote:Re: the Saint-Saens - who could possibly listen that way? The slow section is so exquisite it is almost unforgettable.Lance wrote:Do those who select Beethoven's No. 9: is it the entire symphony you listen to, or generally the final (choral) movement? I ask because people who enjoy Saint-Saëns Third (Organ) Symphony usually only play the incredible final movement where the organ comes to life.
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Re: What's your favorite Beethoven symphony?
not possible for me to answer in poll format. whichever one I'm listening to is my favorite...Mahler Symphony wrote:Mine would be the ninth, but the fifth isn't far behind.
I suppose #1 is not quite up to the caliber of its successors, but it's still a neat piece...
all others are completely first rate. I love to perform them,and I love to listen to them...
I think Beethoven's ninth is the greatest symphony of all time. I listen to it all the way through. I probably prefer the first movement to the finale. It is struggle on a cosmic level. The second movement is an unleashing of Dionysian energy. The third movement is lovely. Beethoven almost loses control in the finale, but it succeds as one of the great affirmations of life. I also enjoy Saint Saens organ symphony all the way through.
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It's interesting to watch this tablulate. It has been written many times that Beethoven's 1-3-5-7-9 and the favourites and so far (though no one has selected No. 1 yet), it looks like the even-numbered ones are proving this, with the exception of No. 6, which is the usual exception.
Lance G. Hill
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When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
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When she started to play, Mr. Steinway came down and personally
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*****Lance wrote:Do those who select Beethoven's No. 9: is it the entire symphony you listen to, or generally the final (choral) movement? I ask because people who enjoy Saint-Saëns Third (Organ) Symphony usually only play the incredible final movement where the organ comes to life.
I never listen to just one movement. Of any symphony or concerto. Perish the thought.
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No. 1 is a Haydnesque masterpiece that shows that Beethoven started out where Haydn stopped. His first works in every other form are also already as great as anything composed in those forms by his great mentors Haydn and Mozart. It is not for nothing that he is commonly considered the greatest composer.Dies Irae wrote:I DID.Lance wrote: and so far (though no one has selected No. 1 yet),
For mood elevation.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
I agree with that. I sometimes only listen to the first movement, then turn it off.val wrote:But, to me, the best movement ever composed by Beethoven was the first of the 9th Symphony.
My favorite overall though is the Eroica.
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Prior to writing the Ninth, that was Beethoven's own favorite, too.Barry Z wrote:I agree with that. I sometimes only listen to the first movement, then turn it off.val wrote:But, to me, the best movement ever composed by Beethoven was the first of the 9th Symphony.
My favorite overall though is the Eroica.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
The movement that's really caught my imagination just within that past year or two is the second movement of the sixth. In the hands of a good conductor and orchestra, the music really flows so beautifully, even at slow tempos.
"If this is coffee, please bring me some tea; but if this is tea, please bring me some coffee." - Abraham Lincoln
"Although prepared for martyrdom, I preferred that it be postponed." - Winston Churchill
"Before I refuse to take your questions, I have an opening statement." - Ronald Reagan
http://www.davidstuff.com/political/wmdquotes.htm
http://www.youtube.com/watch?v=2pbp0hur ... re=related
"Although prepared for martyrdom, I preferred that it be postponed." - Winston Churchill
"Before I refuse to take your questions, I have an opening statement." - Ronald Reagan
http://www.davidstuff.com/political/wmdquotes.htm
http://www.youtube.com/watch?v=2pbp0hur ... re=related
I don't really understand this - #4 and #2 are wonderful works...Lance wrote:It's interesting to watch this tablulate. It has been written many times that Beethoven's 1-3-5-7-9 and the favourites...... it looks like the even-numbered ones are proving this, with the exception of No. 6, which is the usual exception.
#4 is probably the most difficult technically...it's such a great piece.
both 2 and 4 have great slow mvts - some of the best Beethoven ever wrote...
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I voted for number 8. One reason is because no one else will, and the another is because it is the most misunderstood of all the symphonies, and I always root for the underdog.
I have a suspicion that Beethoven wrote the work to prove that he could turn straw into gold. I mean, who could respect the initial appearance of the first movement theme (not even Haydn), like the first movement of the Fifth (probably my real favorite) just look at what Beethoven does with it.
So I vote for 8, because I think it is the realization of one of Beethoven's compositional issues: that he could take any little thing and make it into great music. Wellington's Victory, by the way, proves that Beethoven could work in the opposite direction as well.....
Gregg
I have a suspicion that Beethoven wrote the work to prove that he could turn straw into gold. I mean, who could respect the initial appearance of the first movement theme (not even Haydn), like the first movement of the Fifth (probably my real favorite) just look at what Beethoven does with it.
So I vote for 8, because I think it is the realization of one of Beethoven's compositional issues: that he could take any little thing and make it into great music. Wellington's Victory, by the way, proves that Beethoven could work in the opposite direction as well.....
Gregg
I think I've hummed/whistled parts of that slow movement more than any other symphony I've heard.shadowritten wrote:Absolutely.Febnyc wrote:Re: the Saint-Saens - who could possibly listen that way? The slow section is so exquisite it is almost unforgettable.Lance wrote:Do those who select Beethoven's No. 9: is it the entire symphony you listen to, or generally the final (choral) movement? I ask because people who enjoy Saint-Saëns Third (Organ) Symphony usually only play the incredible final movement where the organ comes to life.
What is the point of this poll? IMO all nine Symphonies are masterworks in their own way, and to sort them in order of quality seems senseless. Even the Choral is a great masterwork, especially the dramatic first movement. I find the third movement very beautiful, but a bit too long, and this applies to the fourth movement too. For some reason I prefer the piano arrangement of Liszt, and not least when it is about the third movement of the Choral.
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I suppose the point is to merely find out what individual people hold as their favourite among all nine of Beethoven's symphonies. I totally agree, all nine are masterworks and I wouldn't want to be without any of them, but still, I suspect people have found one that might be their "desert island" work if they had to have just one.premont wrote:What is the point of this poll? IMO all nine Symphonies are masterworks in their own way, and to sort them in order of quality seems senseless. Even the Choral is a great masterwork, especially the dramatic first movement. I find the third movement very beautiful, but a bit too long, and this applies to the fourth movement too. For some reason I prefer the piano arrangement of Liszt, and not least when it is about the third movement of the Choral.
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When she started to play, Mr. Steinway came down and personally
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If I had to have just one Beethoven symphony -- could I choose someone else's symphony, instead?
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Yes, this is about where I am as well. In the end, an impossible question, like determining my favorite beer - it depends on my mood and many other points of whim.Lance wrote:Well, I cast mine for the Beethoven 7th Symphony, but in truth, it could have equally been the 3rd, 6th, or 9th, and further truth, I couldn't be without any of them though I tend not to listen to the 5th because it has been overplayed and recorded and commercialized beyond belief. (Poor Beethoven would be a millionaire today if he received royalties on the use of the first movement alone!)
Maybe the Sixth. But the Seventh has that quietly awesome adagio....
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Is that all we have thus far, only 28 of CMG's members (as of this post) who can/will vote on their favourite Beethoven symphony? I thought this might bring forth hundreds of you great people.
Remember, in order to tabulate properly, you MUST select one of the numbers for the poll to do its job. If you just write a comment about your favourite, it doesn't measure in the poll.
Remember, in order to tabulate properly, you MUST select one of the numbers for the poll to do its job. If you just write a comment about your favourite, it doesn't measure in the poll.
Lance G. Hill
Editor-in-Chief
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When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
Heck148 wrote:I don't really understand this - #4 and #2 are wonderful works...
#4 is probably the most difficult technically...it's such a great piece.
both 2 and 4 have great slow mvts - some of the best Beethoven ever wrote...
I am sure that I am not alone in loving the beginning of Four. I have always wondered if Mahler decided to "re-imagine" the beginning of Four with the beginning of his First symphony?
Gregg
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Some of us regard it as so pointless that we didn't cast a vote.Lance wrote:Is that all we have thus far, only 28 of CMG's members (as of this post) who can/will vote on their favourite Beethoven symphony? I thought this might bring forth hundreds of you great people.
Remember, in order to tabulate properly, you MUST select one of the numbers for the poll to do its job. If you just write a comment about your favourite, it doesn't measure in the poll.
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"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
that includes me. I cannot cast a vote. or rather, if I cast a vote on 5 consecutive days, it would probably be different every day...RebLem wrote:Some of us regard it as so pointless that we didn't cast a vote.Lance wrote:Remember, in order to tabulate properly, you MUST select one of the numbers for the poll to do its job. If you just write a comment about your favourite, it doesn't measure in the poll.
these pick your favorite, pick your top 3, or top 10 whatever lists don't work for me...
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I vote for 6.
But my favourite movement is 2nd of 7.
I post in another thread(Essential listening for newbie) saying that I was going to listen to Beethoven's Symphonies. And I did. And I enjoyed everyone of them. I felt so weird that Beethoven has this "special effect" on me.
Then, I thought I want to listen to Mozart's Symphonies again, see if I like them as much as Beethoven's.
Yes, I know some of you might think it's not correct to compare like this.
Still, it's just strange that I like Beethoven more than Mozart.
But my favourite movement is 2nd of 7.
I post in another thread(Essential listening for newbie) saying that I was going to listen to Beethoven's Symphonies. And I did. And I enjoyed everyone of them. I felt so weird that Beethoven has this "special effect" on me.
Then, I thought I want to listen to Mozart's Symphonies again, see if I like them as much as Beethoven's.
Yes, I know some of you might think it's not correct to compare like this.
Still, it's just strange that I like Beethoven more than Mozart.
not weird at all. Beethoven symphonies have had that effect on people fortaisiawshan wrote:I vote for 6.
I post in another thread(Essential listening for newbie) saying that I was going to listen to Beethoven's Symphonies. And I did. And I enjoyed everyone of them. I felt so weird that Beethoven has this "special effect" on me.
a couple of hundred years!! they are special.
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