Bizet's Symphony No. 1 in C...simply amazing!
Bizet's Symphony No. 1 in C...simply amazing!
http://www.youtube.com/watch?v=PBbjvIfW ... ed&search=
The first movement (Allegro).
http://www.youtube.com/watch?v=-yqU15H2 ... ed&search=
The last movement (Allegro Vivace). I couldn't find any recordings of the second and third movements but the first few seconds of movement IV are the Minuet and trio (III).
Enjoy! This is just a great piece to listen to.
The first movement (Allegro).
http://www.youtube.com/watch?v=-yqU15H2 ... ed&search=
The last movement (Allegro Vivace). I couldn't find any recordings of the second and third movements but the first few seconds of movement IV are the Minuet and trio (III).
Enjoy! This is just a great piece to listen to.
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Heartiest welcome to the site and please continue to post often.
A lot of people "discover" the Bizet symphony, and are forced to accept that a composer died rather young with only a couple of masterpieces when there might have been much more. I had a college professor who was rather too opinionated for people as young as we were, and he stated that if Bizet had been allowed a full composing career then Saint-Saens might have been completely prevented. That's over the top even for me, but we never have enough masterpieces in music that we could do without one that turns up in the odd corner.
A lot of people "discover" the Bizet symphony, and are forced to accept that a composer died rather young with only a couple of masterpieces when there might have been much more. I had a college professor who was rather too opinionated for people as young as we were, and he stated that if Bizet had been allowed a full composing career then Saint-Saens might have been completely prevented. That's over the top even for me, but we never have enough masterpieces in music that we could do without one that turns up in the odd corner.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
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Welcome to our site, Blkmage!
Do you have a favourite recording of Bizet's Symphony in C? I grew up with one that I think is still incomparable, that with Sir Thomas Beecham conducting on EMI 47794. I am also partial to the one with Jean Martinon conducting on DGG 437.371. A stunning work that illustrates the genius of a composer who is normally connected with, really, one work: the opera Carmen, of course.
Do you have a favourite recording of Bizet's Symphony in C? I grew up with one that I think is still incomparable, that with Sir Thomas Beecham conducting on EMI 47794. I am also partial to the one with Jean Martinon conducting on DGG 437.371. A stunning work that illustrates the genius of a composer who is normally connected with, really, one work: the opera Carmen, of course.
Lance G. Hill
Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
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By all means, the Beecham recording (coupled back then with Lalo's wonderful G Minor Symphony) is in a class by itself.Lance wrote:Welcome to our site, Blkmage!
Do you have a favourite recording of Bizet's Symphony in C? I grew up with one that I think is still incomparable, that with Sir Thomas Beecham conducting on EMI 47794. I am also partial to the one with Jean Martinon conducting on DGG 437.371. A stunning work that illustrates the genius of a composer who is normally connected with, really, one work: the opera Carmen, of course.
After listening to Bizet's C Major, put on the Schubert 5th. One notices immediately that the Frenchman admired this early Schubert masterwork.
Jack
"Schumann's our music-maker now." ---Robert Browning
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[quote="walboi"]I am so sorry Robert, but I got confused with some compositions. I meant the reworking of the [b]Carmen Suite[/b] which was done by Shedrin, and not the Symphony in C, allthough that would have been a treat also, to hear what Shedrin could have done.
Harry[/quote]
No problem Harry....You just got me a bit curious and excited at the same time.....
Harry[/quote]
No problem Harry....You just got me a bit curious and excited at the same time.....
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The MUNCH/RPO performance is set apart from the others--quicksilver, it's over & out in only 23 minutes; as spontaneous as you can get. It's fairly well circulated--originally part of the Reader's Digest 12-record box "Treasury Of Great Music," then reissued in the 80s on cheap Quintessence LPs......& there've been at least a couple of CD issues:
http://amazon.com/s/ref=nb_ss_gw/002-04 ... in+c+munch
My first copy of it was one of Stokowski's farewells, from '77 (Sony/Columbia): amazing how an ex-organist can get so many different colors out of (even) a piece that doesn't REQUIRE it!--
http://www.amazon.com/Mendelssohn-Bizet ... F8&s=music
One of the very first recordings (THE first???) has a certain place in my affections: Walter Goehr & the LPO; admittedly, not one of the absolute best (& never put out on CD, I don't think).
http://amazon.com/s/ref=nb_ss_gw/002-04 ... in+c+munch
My first copy of it was one of Stokowski's farewells, from '77 (Sony/Columbia): amazing how an ex-organist can get so many different colors out of (even) a piece that doesn't REQUIRE it!--
http://www.amazon.com/Mendelssohn-Bizet ... F8&s=music
One of the very first recordings (THE first???) has a certain place in my affections: Walter Goehr & the LPO; admittedly, not one of the absolute best (& never put out on CD, I don't think).
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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There is no question for me of the Bizet original being supplanted, Robert . . . but the Shchedrin arrangement is very enjoyable, indeed.maskedman wrote:No problem Harry....You just got me a bit curious and excited at the same time.....
Cheers,
~Karl
Karl Henning, PhD
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
http://www.luxnova.com/
[quote="karlhenning"][quote="maskedman"]No problem Harry....You just got me a bit curious and excited at the same time.....[/quote]
There is no question for me of the [b]Bizet [/b]original being supplanted, [b]Robert [/b]. . . but the [b]Shchedrin [/b]arrangement is very enjoyable, indeed.
Cheers,
~Karl[/quote]
Karl,
Please let me know this disc...I am very curious.....
Robert
There is no question for me of the [b]Bizet [/b]original being supplanted, [b]Robert [/b]. . . but the [b]Shchedrin [/b]arrangement is very enjoyable, indeed.
Cheers,
~Karl[/quote]
Karl,
Please let me know this disc...I am very curious.....
Robert
I own this CD and used to enjoyed it until recently I read something about <a href="http://en.wikipedia.org/wiki/Thomas_Beecham">Beecham</a> saying something about how he disrespect other British conductors. I have no way to prove or disprove it.(I hope it is not true) But it really makes me uncomfortable when I listen to his CDs.Lance wrote:I grew up with one that I think is still incomparable, that with Sir Thomas Beecham conducting on EMI 47794.
Sorry if this diverges the topic a little bit.
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We've had this topic before: I can enjoy a composer (or conductor, pianist, etc.) even if he/she has character flaws.xiaopv wrote:I own this CD and used to enjoyed it until recently I read something about <a href="http://en.wikipedia.org/wiki/Thomas_Beecham">Beecham</a> saying something about how he disrespect other British conductors. I have no way to prove or disprove it.(I hope it is not true) But it really makes me uncomfortable when I listen to his CDs.Lance wrote:I grew up with one that I think is still incomparable, that with Sir Thomas Beecham conducting on EMI 47794.
Sorry if this diverges the topic a little bit.
Let's face it---Beecham was the greatest British conductor of his time and he knew it. I believe he might have been referring to Sir Malcolm Sargeant, not one of the outstanding conducting talents of the time.....
Jack
"Schumann's our music-maker now." ---Robert Browning
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While hopelessly trying to organize my LP library last evening, I came across my Leibowitz recording of the Symphony......there's ANOTHER classic performance that's fallen into total obscurity.
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
Beecham's put-downs of lots of things were most colorful, humorous and [in]famous.xiaopv wrote:Lance wrote:I own this CD and used to enjoyed it until recently I read something about <a href="http://en.wikipedia.org/wiki/Thomas_Beecham">Beecham</a> saying something about how he disrespect other British conductors.
his contempt was not limited to British conductors -
Toscanini = a glorified Italian bandmaster"
Bruno Walter = "malodorous"
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I remember reading that Beecham criticized the British public for their love of foreign conductors over Brits. He said Sargent was as good as any of the foreigners and named names (which I don't remember). There are others from the era that are pretty good, judging from records--Sir Dan Godfrey, Leslie Heward and Constant Lambert just to name three.Heck148 wrote:xiaopv wrote:Beecham's put-downs of lots of things were most colorful, humorous and [in]famous.Lance wrote:I own this CD and used to enjoyed it until recently I read something about <a href="http://en.wikipedia.org/wiki/Thomas_Beecham">Beecham</a> saying something about how he disrespect other British conductors.
his contempt was not limited to British conductors -
Toscanini = a glorified Italian bandmaster"
Bruno Walter = "malodorous"
However, he did say that Barbirolli had turned the Halle Orchestra into the finest chamber orchestra in the world, which had to be a slap after Harty.
John
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