One More Work
One More Work
Mr. Magic Greenman from Betelguese IV appears on your doorstep one day and announces you can have one new instrumental work (not opera or choral) by the composer of your choice in the form of your choice.
Beethoven's 10th, Bach's Mass in X Major, Sibeluis' Second Violin Concerto, or etc. What will it be?
Beethoven's 10th, Bach's Mass in X Major, Sibeluis' Second Violin Concerto, or etc. What will it be?
That's a no-brainer for me: Beethoven's 10th.
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"Although prepared for martyrdom, I preferred that it be postponed." - Winston Churchill
"Before I refuse to take your questions, I have an opening statement." - Ronald Reagan
http://www.davidstuff.com/political/wmdquotes.htm
http://www.youtube.com/watch?v=2pbp0hur ... re=related
When Carl Nielsen died, he had plans for a series of wind concertos, one for each intrument of a wind quintet. He completed two — one for flute and one for clarinet. I'd like to hear another one, either for horn or oboe, but since this is a fantasy, I'll ask for the whole cycle: horn, oboe and bassoon.
And Barry, thanks for the link to Ken Miller's site!
And Barry, thanks for the link to Ken Miller's site!
One's reponse to blips qua blips depends of course on one's taste in blippification, but I think most would agree that with a blippic approach, form arises not from individual blippicality, but from the accumulation of
blippage.
blippage.
I was going to say Brahms' 5th, but I couldn't have said it so gracefully ... what Charles said!For me, Brahms' 5th Symphony. Another long excursion through the Romantic landscape, full of oaks and beeches, with paths bordered by masses of flowers, pleasant byways and surprise turns, everything redolent of the scent of nature at its fullest ripeness, with autumn about to encroach...
Following the Jupiter key pattern, we know it would have been in A of course ... but would it have been as lovely as the 3rd?
Gershwin had plans for a string quartet, a symphony and another opera. I choose the symphony.
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It is hard to disagree with Barry's choice, but I would be satisfied if the alien handed me Mozart's Requiem as he would have completed it and the concluding contrapunctus of the Art of Fugue as Bach would have completed it. Also, on only a very slightly lesser plane, Bartok complained that he was leaving with his bags packed, meaning, he had a lot of great compositions in mind. And unlike the died-young composers of the previous two centuries, he probably would not have changed music history through the anxiety of influence if he had been allowed to complete them. We'd just have more masterpieces.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
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Pelleas and Melisande and Hugh GrantRalph wrote:One more glorious orchestral piece by Dittersdorf.
Karl Henning, PhD
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if I had to choose one, though, I should easily select a Nielsen Horn ConcertoBlip wrote:When Carl Nielsen died, he had plans for a series of wind concertos, one for each intrument of a wind quintet. He completed two — one for flute and one for clarinet. I'd like to hear another one, either for horn or oboe, but since this is a fantasy, I'll ask for the whole cycle: horn, oboe and bassoon.
Karl Henning, PhD
Composer & Clarinetist
Boston, Massachusetts
http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
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Composer & Clarinetist
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http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
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Re: One More Work
Hi, Charles! I should send you a tape of the anthem we sang on the Sunday that you visited.Charles wrote:. . . the composer of your choice in the form of your choice.
Beethoven's 10th, Bach's Mass in X Major, Sibeluis' Second Violin Concerto, or etc. What will it be?
On topic, though: it would have to be the work pulled out from the flames: the Sibelius Eighth Symphony
Karl Henning, PhD
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Composer & Clarinetist
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A very subjective opinion (as if everything here were not): I find it difficult to imagine a Brahms fifth symphony. If ever a composer sang his swan song at exactly the "right" time it was Brahms. In fact, I don't feel an urgent need for a Beethoven's tenth, though we know he was working on one; that knowledge may be why we covet having it. We do know that Bach and Mozart left an important work unfinished, and we do know, though we could not predict the consequences to music if they had survived, that Mozart, Mendelssohn, Schubert, Schumann, and Chopin all died before their time, and we imagine they would have given us more masterpieces.
Of course, there is nothing in music to compare with the situation in painting regarding Titian, who painted arguably his greatest work, The Flaying of Marsyas, when he was 85.
Of course, there is nothing in music to compare with the situation in painting regarding Titian, who painted arguably his greatest work, The Flaying of Marsyas, when he was 85.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
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Of course, that is true, John. We cannot any of us imagine the heights to which an artist will reach.jbuck919 wrote:A very subjective opinion (as if everything here were not): I find it difficult to imagine a Brahms fifth symphony.
If Beethoven had died after writing his eighth symphony, none of us could "imagine" his Opus 125.
Karl Henning, PhD
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Published by Lux Nova Press
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Composer & Clarinetist
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http://henningmusick.blogspot.com/
Published by Lux Nova Press
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I would have Bach write up a new, 6 hour "Mass for 3 Preachers". It would be dedicated to Pat Robertson, Jerry Fallwell, and Jimmy Swaggart.
They then could cut it up into little snippets and force all Roman Catholic services to use the music. The idea would be to displace the ungodly, secular, squealing music that we now have to listen to on Sunday.
They then could cut it up into little snippets and force all Roman Catholic services to use the music. The idea would be to displace the ungodly, secular, squealing music that we now have to listen to on Sunday.
I'll take Bizet's next opera.
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I hear that after his death, people found plans in Beethoven's sketchbooks for a second opera based on the Faust legend. This would be my choice.
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Not easy to pick just one wish, but i would love to hear another symphony by Mozart. His symphonies just got better over the years, and his last three are all legendary. But when he died he hadn't written one for three years.
Roger Christensen
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Re: One More Work
Do you mean me? Visited? I do not remember this. I have heard tell there are other Charleses in the world, though I have no direct proof of this. Here, however, you must be speaking of one of these putative (potential? osetensible?) other Charleses, sir, because I don't recall having had the honor of making your acquaintance...karlhenning wrote:Hi, Charles! I should send you a tape of the anthem we sang on the Sunday that you visited.Charles wrote:. . . the composer of your choice in the form of your choice.
Beethoven's 10th, Bach's Mass in X Major, Sibeluis' Second Violin Concerto, or etc. What will it be?
On topic, though: it would have to be the work pulled out from the flames: the Sibelius Eighth Symphony
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Re: One More Work
Sorry for the confoundation! :-)Charles wrote:. . . because I don't recall having had the honor of making your acquaintance...
Karl Henning, PhD
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http://henningmusick.blogspot.com/
Published by Lux Nova Press
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Composer & Clarinetist
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http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
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Wellll, arguably Giuseppe Verdi composed his greatest work when he was 80: Falstaff.jbuck919 wrote:Of course, there is nothing in music to compare with the situation in painting regarding Titian, who painted arguably his greatest work, The Flaying of Marsyas, when he was 85.
Agreed. And in Haydn's case, 100-plus symphonies aren't quite enough. His 12 London symphonies reached new heights, and then he just stoppped. This was after about 35 years of writing symphonies, and he still had 14 years to live. According to H. C. Robbins Landon Haydn: A Documentary Study (Rizzoli International Publications, Inc., New York, NY, 1981): A. Haydn stopped writing symphonies after 1795 principally because his patron, Nicholas II Esterházy, moved from Esterháza to Vienna and imposed only one formal duty on Haydn: he was to compose a now setting of the Mass each year to celebrate the name day of Nicholas II’s wife, the princess Marie Hermenegild. Haydn wrote six great masses between 1796 and 1802 (he skipped 1800). B. On 12 January 1795, Johann Peter Salomon announced the cessation of his London concerts at which Haydn’s symphonies had been performed. And, C. Haydn left England in August 1795 for Hamburg and then Vienna to take up his duties at Prince Nicholas II Esterházy’s Vienna residence. Haydn took with him the libretto for The Creation which Salomon had procured for him.rogch wrote:Not easy to pick just one wish, but i would love to hear another symphony by Mozart. His symphonies just got better over the years, and his last three are all legendary. But when he died he hadn't written one for three years.
All of the above candidates for "one more" are great choices, but I'd probably vote for composers to complete works that were left incomplete at their deaths, or lost, and which have been conjecturally completed by other hands. Some choices:
Bach: Die Kunst der Fuge
Mozart: Requiem
Berwald: "Symphonie Capricieuse" (discovered among his papers in short score but with indications for its orchestration)
Schubert: Symphonies Nos. 7, 8 and 10
Bruckner: Symphony No. 9
Borodin: Prince Igor
Puccini: Turandot
Mahler: Symphony No. 10
Busoni: Doktor Faust
Bartók: Viola Concerto
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What a great and novel idea for a subject on this board! [Thank you!]
Can we imagine any symphony of Beethoven's being greater than his Ninth? Still, a tenth might be my first choice. After Sibelius's Violin Concerto being the breathtaking beautiful work that it is, it would be hard to imagine if there could be a second, but I would opt for it if it were possible.
Can we imagine any symphony of Beethoven's being greater than his Ninth? Still, a tenth might be my first choice. After Sibelius's Violin Concerto being the breathtaking beautiful work that it is, it would be hard to imagine if there could be a second, but I would opt for it if it were possible.
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Ah, yes, one more set of three German dances :-)
Karl Henning, PhD
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http://henningmusick.blogspot.com/
Published by Lux Nova Press
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Composer & Clarinetist
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http://members.tripod.com/~Karl_P_Henning/
http://henningmusick.blogspot.com/
Published by Lux Nova Press
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Ok, after a little thought (all I can manage) I've decided to go over-the-top with this concept. One more work, eh? If I think of Wagner's Ring of the Nibelungs as one work, how about one more Wagner work of an even more monumental scale (this being Fantasyland and all)?
A Wagner opera of the entire Bible, Old and New Testaments plus Apocrypha. Probably give the guy fits, but this is, after all, Fantasyland for what I want!
A Wagner opera of the entire Bible, Old and New Testaments plus Apocrypha. Probably give the guy fits, but this is, after all, Fantasyland for what I want!
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