Rachmaninov: A monarch of the imagination.
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Rachmaninov: A monarch of the imagination.
Hello there everyone! I was just accepted to this forum by the administrator, and I'm glad to finally find a Classical forum. Many others are simply dead or not popular enough to have enough support.
Let me begin by telling you where my tastes fall. I am an 18 year old self-taught (since September, 2006) "pianist", and it was all inspired by a lonely concerto. Since I was four or so, Classical music has been part of me, but not most of the Romantic era. One day, rather by chance, I fell upon Sergei Rachmaninov's music: a (I am now aware) transcription of a vocal piece for orchestra, called "Vocalise". Intruiged as I was, I neglected his music for Mozart and Beethoven (I was about 12). Later, I discovered his Second Piano Concerto.
I was utterly blown away by the sheer force of his 1901 Concerto. From the bell like tones to the final cadence, the first movement is something utterly removed from other music. It is as if a single, undefinable emotion which defines humanity itself is inherent and obvious in this single movement of a single concerto. Perhaps I'm just a bit whacky, but that composer and this concerto have become my favourites of all time. There is a special significance attached to its ominous C minor. Rach 3 is also amazing, and his preludes, especially Op. 3 No.2, are power and beauty. In the end, I am a true Romantic on the sides of Scriabin, Rachmaninov, and the moodier end of Beethoven.
Does anyone else know and love Rachmaninov?
Let me begin by telling you where my tastes fall. I am an 18 year old self-taught (since September, 2006) "pianist", and it was all inspired by a lonely concerto. Since I was four or so, Classical music has been part of me, but not most of the Romantic era. One day, rather by chance, I fell upon Sergei Rachmaninov's music: a (I am now aware) transcription of a vocal piece for orchestra, called "Vocalise". Intruiged as I was, I neglected his music for Mozart and Beethoven (I was about 12). Later, I discovered his Second Piano Concerto.
I was utterly blown away by the sheer force of his 1901 Concerto. From the bell like tones to the final cadence, the first movement is something utterly removed from other music. It is as if a single, undefinable emotion which defines humanity itself is inherent and obvious in this single movement of a single concerto. Perhaps I'm just a bit whacky, but that composer and this concerto have become my favourites of all time. There is a special significance attached to its ominous C minor. Rach 3 is also amazing, and his preludes, especially Op. 3 No.2, are power and beauty. In the end, I am a true Romantic on the sides of Scriabin, Rachmaninov, and the moodier end of Beethoven.
Does anyone else know and love Rachmaninov?
"The Return"
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Wecome to the board, Ian. Kick your shoes off and set a spell. As one of a couple of Medieval Maniacs here, Rach ain't exactly my cup of of tea, but I do like his 1 Sym, the concertos, etudes, preludes, and the Symphonic Dances. There are many Rach fans here, so one should be along shortly to chat with you.
Corlyss
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Contessa d'EM, a carbon-based life form
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Welcome Ian! I'm glad to see another Rachmaninoff lover join the forums. He is without a doubt my favorite composer. I pretty much love everything he wrote.
P.S.
I had been meaning to post about this, but now would be as good a time as any. Has anyone ever noticed how similar one of the main motifs in Rachmaninoff's First Symphony is to that in the soundtrack of the movie Troy? It's quite alarming!
P.S.
I had been meaning to post about this, but now would be as good a time as any. Has anyone ever noticed how similar one of the main motifs in Rachmaninoff's First Symphony is to that in the soundtrack of the movie Troy? It's quite alarming!
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Heartiest welcome to the board. I find much of Rachmaninoff admirable, the Corelli Variations being near the top of the list for me. We don't get many posts on R., so please follow up, and post on anything else you fancy as well.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
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Welcome to the board, Ian.
But you should know that Rachmaninoff always insisted that his name ended in two f's, not a v. Some others, like Prokofiev, seem not to have minded, but Rachmaninoff did, and I believe we should all respect that. Having said that, I note that ArkivMusic spells it with a v.
To me, Rachmaninoff is OK. My faves are the Paganini Rhapsody, Vocalise, the Cello Sonatas, the Isle of the Dead, and the Vespers.
But you should know that Rachmaninoff always insisted that his name ended in two f's, not a v. Some others, like Prokofiev, seem not to have minded, but Rachmaninoff did, and I believe we should all respect that. Having said that, I note that ArkivMusic spells it with a v.
To me, Rachmaninoff is OK. My faves are the Paganini Rhapsody, Vocalise, the Cello Sonatas, the Isle of the Dead, and the Vespers.
Don't drink and drive. You might spill it.--J. Eugene Baker, aka my late father
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"We're not generating enough angry white guys to stay in business for the long term."--Sen. Lindsey Graham, R-S. Carolina.
"Racism is America's Original Sin."--Francis Cardinal George, former Roman Catholic Archbishop of Chicago.
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WELCOME!
To me, Rachmaninov will always be a greater pianist than composer--but believe me, no pianist, in MY book, could ever beat him. If you've never heard his RCA records of the 20s & 30s, you're in for just as big a treat, I promise.
Compositionally, I prefer Rachmaninov's RHYTHMICALLY AGRESSIVE side to his warmly lyrical side.....such things as the Symphonic Dances, the middle two movements of The Bells (based on Edgar Allen Poe's famous poem), the Humoresque in G for solo piano, the song Powder & Paint, the scherzo of the Second Symphony, and the symphonic poem Isle of the Dead.
To me, Rachmaninov will always be a greater pianist than composer--but believe me, no pianist, in MY book, could ever beat him. If you've never heard his RCA records of the 20s & 30s, you're in for just as big a treat, I promise.
Compositionally, I prefer Rachmaninov's RHYTHMICALLY AGRESSIVE side to his warmly lyrical side.....such things as the Symphonic Dances, the middle two movements of The Bells (based on Edgar Allen Poe's famous poem), the Humoresque in G for solo piano, the song Powder & Paint, the scherzo of the Second Symphony, and the symphonic poem Isle of the Dead.
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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Welcome!
I like some of Rachmaninov quite a lot, at the moment particularly the cello sonata op.19, but also the preludes I've heard,
the Symphonic Dances and some music for 2 pianos. I haven't caught on so much to his concertos and symphonies so far...
And I'm curious to hear more of his own piano recordings! It seems he was quite amazing...
Florian
I like some of Rachmaninov quite a lot, at the moment particularly the cello sonata op.19, but also the preludes I've heard,
the Symphonic Dances and some music for 2 pianos. I haven't caught on so much to his concertos and symphonies so far...
And I'm curious to hear more of his own piano recordings! It seems he was quite amazing...
Florian
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I was confusing him with Prokoviev, er, Prokovieff, er Prokoffiev. Damn St. Cyril, er Kyril, anyway.Ian Williams wrote:It appears that while in Russia, he spelled his name Rachmaninov. Once he moved to America after the Revolution, though, he substituted the "v" for two "f"s. As I prefer his period of music before the move from Russia, I spell it in the fashion it was during that time.
There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.
-- Johann Sebastian Bach
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You know, despite my huge affinity for this man, I have only heard two preludes, the four concerti, Vocalise, and Etude-Tableaux Op. 33. There is so much praise for "Isle of the Dead", and "The Bells/Vespers". Perhaps I should look into his symphonies as well. For some reason, Rachmaninov never seemed to be a symphonic composer in my eyes, but more for the concerto and singular form.
If his other works are truly as aggressive and "epic" in the heavy and grand sense, then I am in for a treat.
If his other works are truly as aggressive and "epic" in the heavy and grand sense, then I am in for a treat.
"The Return"
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You can find all the concertos in the Decca Box of Valdimir Askenazy and Andre Previn's recordings...in fact some of Ashkenazy's best ever work is in his Rachmaninov recordings...slofstra wrote:One also doesn't hear much about the Fourth Piano Concerto. I have only one rendition, that of Rachmaninoff himself.
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Hey Ian, welcome to our little Virtual Community, you may have chosen the one Composer we can all agree on, well, nearly all of us...
This is a great Boxed Set, all Four of the Concertos and most of the solo pieces, but sadly not the Corelli Variations...
link
This companion box is excellent too, all the Orchestral Works including Isle of The Dead...
link
ps search out the Box Set of Rachmaninov's Own Recordings, that's a treat and a half...
This is a great Boxed Set, all Four of the Concertos and most of the solo pieces, but sadly not the Corelli Variations...
link
This companion box is excellent too, all the Orchestral Works including Isle of The Dead...
link
ps search out the Box Set of Rachmaninov's Own Recordings, that's a treat and a half...
Last edited by Chalkperson on Sun Jun 17, 2007 4:04 pm, edited 1 time in total.
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You have to get the Symphonic Dances. I've always liked it. In an orgy of taped rebroadcasts, XM has played it 3 times in the last 48 hours. The Vespers are pretty darned good too.Ian Williams wrote:You know, despite my huge affinity for this man, I have only heard two preludes, the four concerti, Vocalise, and Etude-Tableaux Op. 33. There is so much praise for "Isle of the Dead", and "The Bells/Vespers". Perhaps I should look into his symphonies as well. For some reason, Rachmaninov never seemed to be a symphonic composer in my eyes, but more for the concerto and singular form.
If his other works are truly as aggressive and "epic" in the heavy and grand sense, then I am in for a treat.
Corlyss
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Contessa d'EM, a carbon-based life form
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Welcome Ian. I'm glad you made it to our boards.
I couldn't be happy without the music of Rachmaninoff. I love his music dearly. Corlyss mentioned the Symphonic Dances and his Vespers. There are many good recordings of the Dances. If you can find the Vespers on a Melodiya recording (once issued on Angel-Melodiya LPs), with Alexander Sveshnikov conducting the chorus, it will probably be one of your most-loved works by the great Russian master.
I couldn't be happy without the music of Rachmaninoff. I love his music dearly. Corlyss mentioned the Symphonic Dances and his Vespers. There are many good recordings of the Dances. If you can find the Vespers on a Melodiya recording (once issued on Angel-Melodiya LPs), with Alexander Sveshnikov conducting the chorus, it will probably be one of your most-loved works by the great Russian master.
Lance G. Hill
Editor-in-Chief
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When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
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Well, it filled four LP sides when issued by Angel/EMI and nearly filled a CD to general capacity. I think the work lasts much longer than a mere 20 minutes. Perhaps you're thinking of some other work?Chalkperson wrote:Yea Right, it was available on CD for all of twenty minutes...Lance wrote: If you can find the Vespers on a Melodiya recording (once issued on Angel-Melodiya LPs), with Alexander Sveshnikov conducting the chorus, it will probably be one of your most-loved works by the great Russian master.
Lance G. Hill
Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
Editor-in-Chief
______________________________________________________
When she started to play, Mr. Steinway came down and personally
rubbed his name off the piano. [Speaking about pianist &*$#@+#]
I have this other Previn / Rachmaninoff set,
Amazon link,
without the 4th, unfortunately! And being Dutch, I avoid buying CD sets that overlap. This was one of the first classical CDs I bought, when I first began to get serious about classical music. Still one of my favourite Third's but the king of the hill right now is Volodos.
Amazon link,
without the 4th, unfortunately! And being Dutch, I avoid buying CD sets that overlap. This was one of the first classical CDs I bought, when I first began to get serious about classical music. Still one of my favourite Third's but the king of the hill right now is Volodos.
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I was meaning that the CD is very rare, and difficult to find, that in collecterspeak it was only available for twenty minutes, after 20 minutes it was sold out, and then deleted, never to be re-issued...Lance wrote:Well, it filled four LP sides when issued by Angel/EMI and nearly filled a CD to general capacity. I think the work lasts much longer than a mere 20 minutes. Perhaps you're thinking of some other work?Chalkperson wrote:Yea Right, it was available on CD for all of twenty minutes...Lance wrote: If you can find the Vespers on a Melodiya recording (once issued on Angel-Melodiya LPs), with Alexander Sveshnikov conducting the chorus, it will probably be one of your most-loved works by the great Russian master.
Although I have a number of Kocsis recordings of Debussy, I do not have any of his Rachmaninoff at hand, but will plan to do so. I do have Kocsis published piano transcription of the Vocalise. And no, I cannot play it.
So I need find a CD that includes this piece as well.
Speaking of the Symphonic Dances, there is also a two piano 4 hand version of this and at one time an excellent recording of it by Ashkenazy and Previn. On the Decca (London) label I think.
I'm pretty much a patsy for any Rach, but especially the concertos.
So I need find a CD that includes this piece as well.
Speaking of the Symphonic Dances, there is also a two piano 4 hand version of this and at one time an excellent recording of it by Ashkenazy and Previn. On the Decca (London) label I think.
I'm pretty much a patsy for any Rach, but especially the concertos.
"Take only pictures, leave only footprints" - John Muir.
This is a recording that should not be missed; at first view I thought it was a gimmick but when I heard it, I was completely overwhelmed by Pletnev's consummate artistry:
Mikhail Pletnev plays the Rachmaninov Piano
Beethoven Sonata for Piano No 26, 'Les adieux', Op. 81a. Chopin Andante spianato and Grande Polonaise, Op. 22. Mendelssohn Andante cantabile and Presto agitato. Rondo capriccioso, Op. 14. Rachmaninov Variations on a theme of Corelli, Op. 42. 9 Etudes-tableaux, Op. 33 - No. 6 in E flat minor; No. 8 in G minor; No. 9 in C sharp minor; 9 Etudes-tableaux, Op. 39 - No. 5 in E flat minor.
Deutsche Grammophon CD 459 634-2GH
Mikhail Pletnev plays the Rachmaninov Piano
Beethoven Sonata for Piano No 26, 'Les adieux', Op. 81a. Chopin Andante spianato and Grande Polonaise, Op. 22. Mendelssohn Andante cantabile and Presto agitato. Rondo capriccioso, Op. 14. Rachmaninov Variations on a theme of Corelli, Op. 42. 9 Etudes-tableaux, Op. 33 - No. 6 in E flat minor; No. 8 in G minor; No. 9 in C sharp minor; 9 Etudes-tableaux, Op. 39 - No. 5 in E flat minor.
Deutsche Grammophon CD 459 634-2GH
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Welcome to the Forum Ian. I too am a Rachmaninoff devotee. No single composer (with the possible exception of Tchaikovsky early on) was more instrumental in bringing me into classical music years ago. And yes, the 2nd Piano Concerto is a true masterpiece. And after that, his first and third concertos, Symphony #2, some short works for solo piano, a series of tone poems (I urge you to get a good recording of Isle of the Dead, Prince Rostislav, and of course, Vocalise), some of the other masterpieces he wrote.
Recently, Anna Netrebko released her "Russian Album" CD. Tracks 2 and 3 and a later track are Rachmaninoff songs. And they are sublime!
The question as to whether to Rachmaninoff was a better pianist or composer is an intriguing one that I'm not capable of answering. He flourished in both realms. I have a recording of him playing the 2nd and 3rd concertos. These aren't particularly good recordings, probably due to the technical deficienies of the recording itself, so judging is difficult. It is clear that audiences were fond of his playing. Apparently he found it annoying that audiences or concert promoters demanded the 2nd heavily but not the 3rd.
Recently, Anna Netrebko released her "Russian Album" CD. Tracks 2 and 3 and a later track are Rachmaninoff songs. And they are sublime!
The question as to whether to Rachmaninoff was a better pianist or composer is an intriguing one that I'm not capable of answering. He flourished in both realms. I have a recording of him playing the 2nd and 3rd concertos. These aren't particularly good recordings, probably due to the technical deficienies of the recording itself, so judging is difficult. It is clear that audiences were fond of his playing. Apparently he found it annoying that audiences or concert promoters demanded the 2nd heavily but not the 3rd.
Cyril Ignatius
Not only was Rachy a great pianist and composer, but he was also a fantastic conductor!
Don't forget how annoyed he got that he ALWAYS had to play the Prelude in C# Minor. One time as the audience demanded it he reportedly bellowed, "Oh, Must I?!" Of course, he played it anyway.Cyril Ignatius wrote:Apparently he found it annoying that audiences or concert promoters demanded the 2nd heavily but not the 3rd.
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Another rhythmically aggressive Rachmaninov piano piece: Polchinelle (or Punch--as in Punch & Judy.....pleased as Punch!).
Yes, that's right, a musical depiction of the famous puppet-wifebeater who literally beat the devil himself. Goofy thing is, whenever I hear the Humoresque in G which I mentioned above, I instantly think of Punch! That's why I'm forever confusing the two pieces. Rachmaninov recorded both of these himself.
Yes, that's right, a musical depiction of the famous puppet-wifebeater who literally beat the devil himself. Goofy thing is, whenever I hear the Humoresque in G which I mentioned above, I instantly think of Punch! That's why I'm forever confusing the two pieces. Rachmaninov recorded both of these himself.
Good music is that which falls upon the ear with ease, and quits the memory with difficulty.
--Sir Thomas Beecham
--Sir Thomas Beecham
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